Wednesday, July 20, 2011

Angel


This is a painting I did before the "Tiffany Collection" that I neglected to post. It's of a statue I found at a restaurant garden in El Salvador. It's very common to see basins filled with water and floating flower petals. More often than not, the basin is a simple bowl carved out of a stone. In this case, it's an intricate statue. To me, the red rose petals symbolize the atoning blood of Christ. The painting is hanging in my dad's office in El Salvador. 18 x 24, watercolor and oil on board.

Tuesday, April 12, 2011

The "Tiffany" Collection

Winter's Deep


Evening's Water

I've nicknamed these paintings "The Tiffany Collection" because that's the name of the lovely lady who modeled for these paintings. My husband said it once, and it stuck. For these paintings, I wanted to have a Mike Malm/Richard Schmid-esque theme. I still painted them on board, but kept it straight oil this time. My goal, however, was to keep the darks as thin and liquid as possible, treating them a lot like watercolors. I entered both these paintings in Southwest Art Magazine's 21 under 31 show. They display work from 21 artists under the age of 31. It's an excellent way to receive publicity. I'll know by September whether they selected my work for display in their magazine.

Wednesday, January 26, 2011

Mini Art Exhibit




Here are three paintings I've just completed for a "Mini" art exhibit in Scottsdale, AZ. The exhibit isn't mini but the art itself is. All entries must be 6"x6". I took the opportunity to get a start on what I've been wanting to do most. Paint women in my watercolor and oil mix style.

Tuesday, November 9, 2010

Plein Air in Watercolor


Here are three plein air paintings I did last week while the weather was so amazing.


The Mike Malm workshop inspired me to do some more painting from life. There seems to be so much that you lose in a photograph, even a really good one. But the real benefit of painting from life is that you tend to paint quickly. This causes you to focus less on the details and just see the big picture, or, in other words, the composition and value shapes. Details are just icing on the cake. Even really good icing can't fix a nasty cake.

Thursday, November 4, 2010

Artist workshop with Mike Malm



I just had the pleasure of taking an artist workshop with oil painter, Mike Malm, Oct 25-28. The workshop consisted of painting models from life in
oils. It was the perfect opportunity to hone my figure-painting-in-oils skills, which will be very helpful to my mixed watercolor/oil style.

We painted models cast in warm light, cool light, and backlighting.

Our main focus was creating interesting compositions by grouping value shapes, which is applicable in any medium, style or subject matter. As shown in the image above, Mike is grouping shadow values together in a simplified way to make the dark values hold together.
In the following images, for my last painting, I blocked out the light and darks of my image, creating interesting shapes. I made sure, as the painting progressed, that my light and dark values held together, maintaining the same shapes and patterns.
I took black and while photographs to show how the values groups held together from beginning to end.


Day 4 - we had twice the amount of time to paint this one as we did on the other days (6 hrs vs 3 hrs), as Mike demo'ed in the mornings on the first 3 days.


On the first day of the workshop, we used a limited pallet, which consisted of yellow ochre (as yellow), burnt sienna (as red), perm red medium (or cad red medium, in my case), black (as blue) and white. I used a variation of this pallet for all of the paintings I did during this workshop.

Mike Malm's pallet.

Day 1 - limited pallet, copy from famous artist.

Day 2 - backlighting, painting from life

Day 3 - warm light, painting from life


Thursday, August 5, 2010

Domingo


Watercolor and Oil on board. 16 x 20.
I was itching to do a portrait when I came up with this composition. There are so many wonderful and interesting faces in El Salvador with so many stories to tell.

Friday, July 16, 2010

Church at Ataco

Watercolor and Oil on board, 20 x 24 in. One of the many churches found in Concepcion de Ataco, El Salvador. It'll be flying over to El Salvador on Sunday.